Archive : 2017

July 19 - August 5, 2017



Marcos Guzman & Camila Galaz

Hi Cous, Monday will be unplanned this week


Mat Vaughan

3000 Tuesday


Jamie Edward

Wednesday : Time well wasted



June 28 - July 15, 2017



Jeremy Kasper

Inertia


Kimberley Liddle

Precipice III


Dominic Kavanagh

Profit From The Well



June 7 - June 24, 2017



Brenton Schwab

Transition


Deborah Prior

Slipping To Close


Kent Wilson, Sarah Gosling, Uri Auerbach, Yuria Okamura, Rebecca Agnew, Terrence Combos, Jenny Zhe Chang, Patrick Larmour, Jesse Rae OConnor, Alan Ibel,l Ben Aitken, Nick Berry

Into A Hole And Out Of A Hat



May 17 - June 3, 2017



Jade Walsh

What The Hell Am I Supposed To Do Now?


Janelle De Gabriele

Affinity


Mattathias Dravich

Terraforming



April 5 - April 22, 2017



Lina Buck

Spaces of Interplay


Pip Ryan

Do Geese See God ?


Jordan Devlin

Dont Wait Until I Am Dead



March 15 - April 1, 2017



Nick Berry

Title Idea


Lillian Senga Addie

Human Tools of Measurement


Josh Wilson

Loss and Hope



February 22 - March 11, 2017



Ben Aitken

Forcible Violation

Born in Melbourne in 1991, Aitken is co-director of the Melbourne gallery Nicholas Projects. He was highly commended in the 2014 Black Swan Prize for Portraiture and was selected by critic Ashley Crawford and 2010 Archibald and Wynne winner Sam Leach for the 2014 NotFair art fair. His last solo show at the Bayside Arts & Cultural Centre was opened by Professor Jon Cattapan, which was followed up by being a finalist in the Brett Whitley Travelling Scholarship, the Archibald, a trip to New York, a residency in Los Angeles and a residency at the Art Vault. Ben is collected by many public and private collections Australian wide, including the Buxton Collection, PriceWaterhouseCooper and Lismore Regional Gallery. Instagram: @sniflthreesix



Kurtis Adamson

Dear memo-ry, please dont forget me

Informed by media archaeology and archival theory, Kurtis Adamson utilises discarded photographic negatives from the early 1900s to explore the relationship between analogue and digital media, and the changing perceptions around photographic archives. His hauntological inspired archive alludes to the social spectral concerns of digital data collection & identification, whilst also exploring a link between memory and objecthood which digital photography rarely evokes. Dear memo – ry, please don't forget me… aims to provide reflection and encourage contemplation of the digital age we live in as we increasingly create a digital legacy for future generations. 



James Murnane

Ever Ancient, Ever New

Tentatively, I unlatch my front gate, chocking it open with a stone. A little fearfully, I leave my front door wide, and screen door unlocked. The table set, old wine is left to breathe, and fresh bread to cool for all to take, ignore, or savour.

Initially undertaken as an outdoor site-specific installation upon the ruins of the 13th century Church of the Cross (Korskirken), May 2016 in Oslo, Norway, Ever ancient, ever new explores the effects of an openness to vulnerability, and its capacity to induce harm, humility, and healing. 

James Murnane is a visual artist living and working in Melbourne, Australia.




February 1 - February 18, 2017



1-18 February



SUMMER 40



2017