Max Lawrence White’s exhibition is centred around colour and its infinite combinations, readings and meanings. In contemporary life, colour is experienced in a fleeting, transitory manner influenced by our fast-paced lifestyles and attachments to technology and social media. Within this experience, there are no rules or boundaries in regards to the interaction of colour. Intense artificial hues are combined with hues from more natural origins. Acknowledging this has lead to a process within White’s studio that embraces chance, choice and curiosity in order to recognise this new experience of colour. In this process, traditional and conventional approaches to colour are abandoned and disharmony is embraced. The primary aim of White’s work is to challenge the viewer’s fraught understanding of colour. Through the presentation of colour combinations inspired by contemporary everyday experiences, the audience is presented with a conception of colour that is free of historical and theoretical baggage. Colour is stripped of conventional connotations, superseding linguistic expression and becoming autonomous. The viewer is thus invited into an experience in which the full potency of colour is manifest.